Tag: Sound system

The Jayhawks Perform At McNear’s Mystic Theatre

Been Crowded In The Wings, Mostly I Don’t Mind

The Jayhawks McNear's Mystic Petaluma CA

 By Paul Konikowski, CTS-D

On Monday February 6, 2012, I took a walk down memory lane to McNear’s Mystic Theatre in Petaluma, CA to see The Jayhawks, a legendary alt-country-rock band from Minneapolis, MN. The opener, Abigail Washburn was accompanied by Kai Welch. The duo played a heartful set of her folk songs, mixing harmonic vocals with guitar and banjo. At one point in the set, Abigail and Kai sang a song completely a capella, without using any instruments or even microphones. Sounded great.

The Mystic is shaped like a classic movie theatre, with good acoustic treatments on the walls, providing a perfect canvas for the warm, analog PA. The house sound system includes a Soundcraft MH3 console, driving a well designed Apogee loudspeaker rig.  Analog audio geeks and sound engineers, you can see the full technical details of the Mystic Theatre’s FOH and monitor systems here.

The Jayhawks have taken on a few different forms since they started playing as a band in 1985.  After being on hiatus from 2005 to 2009, the band reunited to their Tomorrow The Green Grass lineup of Gary Louris, Mark Olson, Marc Perlman, Tim O’Reagan, and Karen Grotberg. Their latest album, Mockingbird Time, was released in 2011, twenty-five years after their first recording.  They opened their set at McNear’s with the classic Wichita from the Hollywood Town Hall album, followed by a song off Mockingbird Time called Cinnamon Love.  The new album songs went over well with the polite crowd, who seemed happy to support the band’s “new direction”.

I counted 17 songs before the encore break, about two-thirds would be what I would call “old stuff” (Two Angels, Pray For Me, Take Me With You When You Go) and about one-third “new stuff” (Black-Eyed Susan, Mockingbird Time).  It was nice to hear them play Clifton Bridge from Mark Olson’s solo album, The Salvation Blues, released in 2007.  They closed the set with A Break In The Clouds off of the album Smile, and the traditional gospel song Up Above My Head, inviting Abigail and Kai to join them back on the stage.

Gary Louris, Mark Olson, Marc Perlman, Tim O'Reagan, and Karen Grotberg of The Jayhawks

After much applause, The Jayhawks returned to the stage to play four more songs, including of my favorites from Rainy Day Music, Tampa To Tulsa.  The drummer, Tim O’Reagan, wrote the song and also sings lead on it.  His voice is so soothing, I  wish he sang lead on a few more Jayhawks tunes (and I know I’m not the only one!)  I guess in that way, Tampa to Tulsa is kind of like The Jayhawk’s version of Beth, the ballad sang by Kiss drummer, Peter Criss.  Hearing it performed live always sounds special and unique, leaving the crowd wanting more. Left to right above: Gary Louris, Mark Olson, Marc Perlman, Tim O’Reagan, and Karen Grotberg of The Jayhawks 2/6/2012.

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Wavy Gravy’s 75th Birthday Boogie

What A Long, Strange Concert It Was

Wavy Gravy's 75th Birthday Boogie ClownsLast night, I attended Wavy Gravy’s 75th Birthday Boogie, an epic 6+ hour benefit concert for the Seva Foundation, featuring an all-star cast of classic California psychedelic rock bands. The event was held at the Craneway Pavilion in Point Richmond, CA.  As I drove into the heavily industrialized area with my buddy Andrew, I felt like I was somehow entering the album art of Pink Floyd’s Animals.

Pink Floyd Animals
Pink Floyd's Animals, image courtesy of Wikipedia

The Craneway Pavilion is housed inside the former Ford Motor Company assembly plant, also known as The Ford Richmond Plant.  The Pavilion itself is enormous, like an industrial cathedral, with over 45,000 square feet of mostly concrete floor, and huge glass windows looking out to a spectacular view of San Francisco.  With over 5000 concert goers in attendance, I heard that it was the first time the Craneway Pavilion has ever sold out since it opened in 2009.

The concert sound system consisted of a dozen line-array elements hung on either side of the stage, and a handful of delay speaker zones using wall mounted trapezoidal boxes.  Despite the well-engineered PA system and acoustic treatments, the show was plagued all night with feedback squeals.  Not sure who was to blame really, but if it was my event, I would start with the monitor engineer, but I’m not sure they even had a monitor engineer.  Luckily the crowd was patient (and rather intoxicated), and Wavy Gravy didn’t seem to mind, because it was all for a good cause anyway.

Its never easy being the first act at a benefit show, but Hot Buttered Rum didn’t seem to mind, as they opened the show with a dynamite acoustic performance.  The Ace of Cups (the original all-girl rock band) managed a heartfelt reunion set amongst almost constant feedback issues, followed by extended jams by the amazing guitarist Steve Kimmock and his band Zero.  The lineup continued with a soulful performance by The Chris Robinson Brotherhood, who were joined by Bob Weir from the Grateful Dead for one of Chris’ new songs, “They Love Each Other”.

Hot Buttered Rum Craneway Pavilion Point Richmond CA
Hot Buttered Rum at the Craneway Pavilion in Point Richmond, CA. Photo by Paul Konikowski, CTS-D

It was getting close to midnight as Mickey Hart (also from the Grateful Dead) and Friends took the stage, including bassist Dave Schools of Widespread Panic, a nice surprise.  Wavy Gravy officially turned 75 at midnight as musicians repeatedly mouthed ‘I can’t hear anything’ to folks off stage left.  Around 12:30pm, about 50 hand drummers joined the band on the stage chanting Go Wavy something or other over an extended rendition of Santana’s Jingo.  The man of the hour was wheeled into the middle of the room on a giant hippie throne, parting the tye-dyed sea of hippies, as hundreds of polka dot balloons fell from the ceiling.  Ace of Cups led the crowd in a classic Happy Birthday sing-along to a Wavy Gravy who seemed to be overflowing with gratitude and positive energy.

Like any good acid trip, the benefit concert had it’s ups and downs, and the ending was really the best part.  Bob Weir closed out the show, playing Grateful Dead songs well past 2am, inviting many of previous performers to join him on stage.  My personal favorites were Tennessee Jed with Chris Robinson on vocals, and a very melodic Sugaree featuring Nicki Bluhm, leaving me wanting more as she left the stage. 

Wavy_Gravy_Craneway_Pavillion_Point_Richmond
Wavy Gravy - Photo by Paul Konikowski, CTS-D

The party continues later this month on the East coast, as Wavy Gravy’s Birthday Boogie comes to The Beacon Theater in Manhattan on Friday May 27, 2011.  I encourage my Northeast readers to check out this show if you can, its a great venue located on the upper west side.  The lineup is different, but with Ani Difranco, Bruce Hornsby, Dr. John, and Jackson Browne on the bill, I’m sure it will be just as fantastic.  My advice: wear comfy shoes, arrange an overnight babysitter, and get a room next door at the Beacon Hotel.  Trust me, it’s going to be a long, strange night.

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