Mobile Apps For The AV Industry

Analog Friends: Never Solder Solo Again, Circuit Sidekick Has Got Your Back! 

I was recently introduced to a new iPad app called Circuit Sidekick, and I think it could be very helpful to my readers who deal with analog circuits (i.e. resistors, capacitors, flux capacitors…)  Developed by Collin Cunningham, the app require iOS 4.2 or later, and can be yours for a mere $2.99.  Not quite Free (you KNOW I love me some Free) but still very affordable.  NOTE: Today, this app is only available for iPad, BUT PK Audiovisual has confirmed sources that an iPhone/iPod version is being developed.  Read on!

Here are some screenshots from Circuit Sidekick (iPad version), the first shows how it can compute equivalent resistance of parallel resistors.  There is a similar screen for resistors wired in series.Circuit Sidekick

The next screenshot shows how Circuit Sidekick cleverly computes Ohm’s Law on a wooden triangle.  Classic.Circuit Sidekick

Having EE flashbacks yet?  This the screen I find to be the most helpful.  By entering the color bands, the user can easily compute (or verify) the resistor‘s nominal value and tolerance. 

The last screenshot illustrates the Capacitor Value calculator, which is very handy in converting micro-farads to nano-farads to pico- (de gallo?  Mmm, did I mention that its Mexican food tonight, here in my home?)  There is also a decimal to hexadecimal to binary number converter, and an LED calculator.

Circuit Sidekick

Okay so before I start making my dinner, here are the top three AV technicians whom I think will benefit most from this app:
1. Bench Techs, who solder a lot, and want another excuse to have their iPad out on their bench.
2. Touring Techs, (a.k.a. Roadies, System Techs, Guitar Techs) who may not have done this in years.
3. Service Techs,  no more second guessing your math when troubleshooting a problematic piece of gear.

SPOILER ALERT – My sources  have confirmed that a smaller iPhone/iPod Circuit Sidekick is being developed.   Check out these preliminary screenshots:

Circuit Sidekick Ipod

In the future, I would love to see similar versions of this app for Droid, Chrome, etc. but it will need to prove itself in the Mac Arena first. Heyyyy Mac Arena!

What other Ipad, Iphone, or Droid apps do you use in your audio or video profession? -pk


Business Office Acoustics

How Proper Acoustics Can Improve Productivity In Your Work Environment

Tavius Aiton, Owner of Architectural Acoustics

Guest blogger Tavius Aiton has worked in audio and acoustics for the past decade, from design and sales, to project management. Tavius is owner of Architectural Acoustics in Palo Alto, CA.

Typically, the main problem with business office space is nurturing an environment that minimizes unnecessary distractions, promotes privacy, and ensures the quality of video conferences and phone calls. Today, we will discuss some of the most common acoustic challenges in business office environments, and how those challenges can be overcome.

Sound Masking:  Many offices are open plan, or cubicle style layouts.  Noise, especially conversations, can be distracting in this environment, disturbing a coworker’s concentration, focus, and productivity. Sound masking is a technology designed for open/ cubical style office spaces having typical lay-in drop ceiling acoustical tiles.  Speakers are tuned with a “pink” noise. This is slightly more towards the lower end of the sound spectrum than “white” noise, which can be perceived as a harsher tone.

These sound masking speakers are usually mounted in cans that are suspended from the roof deck within the plenum space in an engineered pattern. These units are oriented upwards so that the sound “mushrooms” above the acoustical ceiling and disperses more evenly throughout the office space. This effect makes office noise less noticeable and more of a background that becomes unconscious over time.

The advantage to introducing noise subliminally into an environment is that it raises the overall noise floor making changes in sound levels less variant, thus less noticeable or distracted.  Sound masking also increases speech privacy.  As the masking sound level is increased, ambient office noise become less clear at closer distances. This is especially advantageous in open/cubicle style offices spaces where many people are working together and sound isolation may be poor or nonexistent.   It has been shown that speech privacy in working environments can increase productivity.

Conference Rooms: Many conference room walls are not finished to the roof deck, and instead go only up to the drop ceiling tile grid. This allows sound, including private conversations, to escape into the surrounding work environment.  Lay-in drop ceiling acoustical tiles tend to be absorptive in nature, which allows sound to pass through them. This is why they do not make a good barrier for sound isolation.  Once walls are finished to the roof deck, a second layer of gypsum board can be added to the existing wall with a visco-elastic damping compound between for constrained layer damping.  Finish with a non-hardening sealant around perimeter and butt joints to maintain isolation of gypsum board from hard edges where sound vibration can more easily trespass.

Office doors are not usually fully sealed and can also allow a fair amount of sound leakage, adding to the issue of inadequate privacy.  Windows can allow sound trespassing as well, but typically add to the reverberation in a room like other reflective surfaces causing difficulties in speech intelligibility and music clarity, especially where amplified audio exists like audiovisual conferencing.

Many conference rooms are implemented with desk-top conferencing phones or ceiling microphones.  End users typically shy away from desktop microphones for fear of picking up unwanted noise made by articles being moved around the microphones, or brushing over them.  Speaker to microphone distance is one of the most important factors in achieving speech intelligibility.  Often, ceiling microphones are preferred by the end users, but these distances are greater than desired, causing issues with detecting the speaker’s signal loud enough for its clear transmission to the far side by picking up more of the ambient noise within the room as well.

Additional absorption can be considered in these environments to help reduce reflections and noise build up due to reverberation.  The amount of absorption is dependent upon existing finishes in the room, volume of the space, or desired reverberation time.

In conclusion, conference room walls should be installed to the roof deck, a second layer of gypsum board with a visco-elastic damping compound like Pinta Decibel Drop to achieve constrained layer damping.  Also, sound masking should be implemented in open or cubicle office spaces, and added absorption with audio amplified spaces such as audio/video conferencing rooms may be needed to get intelligible signals.

For more information, please contact Tavius Aiton at Architectural Acoustics.